I saw two of the lighter-vein Tamil movies released in the last fortnight: Goa and Tamilpadam. The former was a typical Venkat Prabhu movie with a clear intent of not having a single 'serious' scene; more than a movie, as the director himself portrays towards the end, it was like a holiday and for the audience it was a holiday very well spent. On the other hand, Tamilpadam had been floating around with a lot more hype thanks to the media houses backing the Production house. There were scenes which do capture one's attention at first sight but there was not much content to sustain that attention. There are some funky scenes in the movie but it seems to be stretched too far to fit the number of reels requirement of a typical Indian movie. I must admit I felt a bit sleepy during the second half and I had the feeling I am stuck in a Mumbai local passing Malad station when I need to get down at Churchgate. In spite of the novelty factor and a meaningful song in the movie, Tamilpadam is of the boring movies I have seen in the recent past.
Goa - please go and watch. Tamil padam - stay away.
Tuesday, February 16, 2010
Sunday, December 20, 2009
Avatar - Short Review
I went to see Avatar - the 3D version - yesterday in PVR-Phoenix, but when I came out I had a feeling I am leaving the planet Pandora. The visual effects are so out-of-the-world (literally!), you would not think, even once, that it is fiction. The picturization is such that if at all man finds life in another planet, a common man would think of this movie's portrayal as to how the new planet would actually be. Some of the scenes in the movie are dream-like: something which is very hard to conjure even in the longest siesta on a Saturday afternoon. Quoting from elsewhere: when the Oscar nominations for the year are announced, this movie would feature in all possible technical categories and most likely win all of those. I strongly recommend all to watch this in 3D and enjoy the ultimate movie experience. Having said that, the story is not something out of the ordinary - it is a simple hero-saves-people storyline. Go for this movie and let James Cameron take you for a trip around Pandora.
Is this the greatest movie in the recent past? I would say 'The Dark Knight' is easily the best in the recent past, if not the greatest of all time. Nonetheless, I would watch Avatar at least twice again.
Is this the greatest movie in the recent past? I would say 'The Dark Knight' is easily the best in the recent past, if not the greatest of all time. Nonetheless, I would watch Avatar at least twice again.
Thursday, August 20, 2009
Monday, August 10, 2009
Thiruvalluvar Statue
Human Body:Appendix::Tamilnadu-Karnataka Peace:Thiruvalluvar Statue
The DemiGod Thiruvalluvar had already written a kural (couplet) on avoiding such farcical, useless and potentially dangerous deeds. Remembering from one of my Thirukkural lessons in School:
The DemiGod Thiruvalluvar had already written a kural (couplet) on avoiding such farcical, useless and potentially dangerous deeds. Remembering from one of my Thirukkural lessons in School:
461. அழிவதூஉம் ஆவதூஉம் ஆகி வழிபயக்கும்
ஊதியமும் சூழ்ந்து செயல்
Weigh well output the loss and gain
And proper action ascertain.
ஊதியமும் சூழ்ந்து செயல்
Weigh well output the loss and gain
And proper action ascertain.
I do not think the statue would in any way help the bonhomie between Tamilnadu and Karnataka; instead it would just act as sink for crows and source of further disputes.
Monday, August 03, 2009
Sustainability of GDP
Oftentimes it is considered that a growing GDP is a panacea. We (at least yours truly) have believed that an increased Government spending and investment in infrastructure will ‘always’ lead to growth in GDP and hence it contributes towards the panacea for all economic frailties. But as this article from ‘The Economist’ conveys, the constituents of GDP will be an important factor in deciding whether or not the increased investments will have sustainable impact on GDP.
Let me try to give a brief summary of the above article:
GDP = Consumer Spending + Government Spending + Investments + (Exports – Imports)
Further breaking down, GDP = (Household Spending + Corporate Spending) + Government Spending + Investments + (Exports – Imports)
If growth in GDP is not accompanied by growth in Household Spending, that growth in GDP would be short term and would not be sustainable in the long run. Hence for a sustainable and long term growth in GDP, the Governments should target increasing contribution of Household Spending to GDP.
Let me try to give a brief summary of the above article:
GDP = Consumer Spending + Government Spending + Investments + (Exports – Imports)
Further breaking down, GDP = (Household Spending + Corporate Spending) + Government Spending + Investments + (Exports – Imports)
If growth in GDP is not accompanied by growth in Household Spending, that growth in GDP would be short term and would not be sustainable in the long run. Hence for a sustainable and long term growth in GDP, the Governments should target increasing contribution of Household Spending to GDP.
Friday, July 24, 2009
Friday, July 17, 2009
A Thought
Why do we celebrate 'Patriotism'?
Sometimes I think patriotism is one of the root causes of many evils in the world today.
Sometimes I think patriotism is one of the root causes of many evils in the world today.
Monday, July 13, 2009
Wednesday, June 17, 2009
Economic Ramblings
Cross posted from my other blog: Lifestyle Investments
Monetary Policy, Fiscal Policy, Inflation, Interest Rates – some of the popular terms any student of Economics will go through, somewhat boringly, in their introductory courses. These concepts when linked to the real world can throw some interesting viewpoints about the various burning issues. In the last 12 months, the central banks/Governments of most countries have, more or less, uniformly and uncharacteristically followed expansive monetary policies to the extent of bringing interest rates close to 0%. This is inline with the Governments’ fiscal policies which are more or less expansive – at least at planning level. An expansive monetary policy and expansive fiscal policy will ring a nice note in one’s ears that things are going fine with the economies. In most cases, this could be true; it may not be so this time around.
If the Governments go for an expansive fiscal policy, the Government will spur spending. For spending, the Government needs money – there are multiple options for the Government to get the money. One, it can print money; two, it can issue bonds and raise debts. The former has its own implications on interest rates and the dreaded fear of deflation resulting in increase of the real cost of borrowing. The latter, however, depends on some other factor so far not mentioned: Debt-to-GDP ratio among other things. The Government’s ability to borrow is inversely proportional to the Debt-to-GDP ratio – less the debt to GDP, the better the borrowing ability of the Government – sounds very intuitive.
There is always a partisan view of the credit rating agencies’ role in the financial world. Irrespective of the side you are in, there is a considerable weight attached to the ratings given out by these agencies. It is only common-sense to believe these agencies downgrade those countries with less borrowing power and less repaying capacity. A very simple indicator of these is the debt-to-GDP ratio. Let us take the case of India. If Debt-to-GDP ratio increases (as this would be most likely the case in the late recession / early recovery stage of the business cycle that we are in; as the GDP would not rise as fast as the rise in debt), the agencies downgrade the ratings of the Government. If this happens, there is a double whammy effect as the existing Government bonds would lose value, investors may begin to dump and the Government would be at a disadvantage at raising money from the markets. Essentially, the market forces would be against an expansive fiscal policy. This is very pertinent in India’s case with a Debt-to-GDP ratio of 58% (compare this to Chinese Debt to GDP ratio of 18%) – so Government may not be able to follow expansive fiscal policy along with an expansive monetary policy.
If it persists with expansive monetary policy in this scenario, there would be too much money chasing too little economic activity, leading to the most commonly known economic term – Inflation. With so much political sense also attached to Inflation, no Government will be willing to let this happen. So, are we heading towards restrictive monetary and restrictive fiscal policies: not likely as this again also has a political and economic cost attached with the R-word and no one wants it. All this means is that the Government has to raise money from somewhere without losing its credit worthiness. The likely sources, I believe, would be PSU divestments, tightening of personal tax regime among other things. All this means is the Government would not be able to undertake a 'market-friendly' budget this time - expect no major tax cuts, duty cuts etc.
The scenario mentioned about India does hold true for developed economies like US (whose monetary policies are more expansive and debt-to-GDP ratio is higher). If China believes the US dollar denominated treasuries are downgradeable, it would be Armageddon – again in 2009. Brace yourself.
If the Governments go for an expansive fiscal policy, the Government will spur spending. For spending, the Government needs money – there are multiple options for the Government to get the money. One, it can print money; two, it can issue bonds and raise debts. The former has its own implications on interest rates and the dreaded fear of deflation resulting in increase of the real cost of borrowing. The latter, however, depends on some other factor so far not mentioned: Debt-to-GDP ratio among other things. The Government’s ability to borrow is inversely proportional to the Debt-to-GDP ratio – less the debt to GDP, the better the borrowing ability of the Government – sounds very intuitive.
There is always a partisan view of the credit rating agencies’ role in the financial world. Irrespective of the side you are in, there is a considerable weight attached to the ratings given out by these agencies. It is only common-sense to believe these agencies downgrade those countries with less borrowing power and less repaying capacity. A very simple indicator of these is the debt-to-GDP ratio. Let us take the case of India. If Debt-to-GDP ratio increases (as this would be most likely the case in the late recession / early recovery stage of the business cycle that we are in; as the GDP would not rise as fast as the rise in debt), the agencies downgrade the ratings of the Government. If this happens, there is a double whammy effect as the existing Government bonds would lose value, investors may begin to dump and the Government would be at a disadvantage at raising money from the markets. Essentially, the market forces would be against an expansive fiscal policy. This is very pertinent in India’s case with a Debt-to-GDP ratio of 58% (compare this to Chinese Debt to GDP ratio of 18%) – so Government may not be able to follow expansive fiscal policy along with an expansive monetary policy.
If it persists with expansive monetary policy in this scenario, there would be too much money chasing too little economic activity, leading to the most commonly known economic term – Inflation. With so much political sense also attached to Inflation, no Government will be willing to let this happen. So, are we heading towards restrictive monetary and restrictive fiscal policies: not likely as this again also has a political and economic cost attached with the R-word and no one wants it. All this means is that the Government has to raise money from somewhere without losing its credit worthiness. The likely sources, I believe, would be PSU divestments, tightening of personal tax regime among other things. All this means is the Government would not be able to undertake a 'market-friendly' budget this time - expect no major tax cuts, duty cuts etc.
The scenario mentioned about India does hold true for developed economies like US (whose monetary policies are more expansive and debt-to-GDP ratio is higher). If China believes the US dollar denominated treasuries are downgradeable, it would be Armageddon – again in 2009. Brace yourself.
Saturday, May 30, 2009
Mongoose Bat
Please do not think this post is about some National Geographic topic on Mongooses and bats, it is the latest invention in cricket which is 'supposed' to revolutionize it.
More details about this 'bat' can be read here; but I fail to understand how a shortened bat will become more powerful when it is alwyas believed bigger and wider the better for bats (not only there!!). But the aerodynamic bat mentioned in the link does sound interesting.
More details about this 'bat' can be read here; but I fail to understand how a shortened bat will become more powerful when it is alwyas believed bigger and wider the better for bats (not only there!!). But the aerodynamic bat mentioned in the link does sound interesting.
Wednesday, April 29, 2009
Another ICICIDIRECT sloppiness
There are, indeed, reasons behind why people are dissatisfied with ICICIDIRECT's services
Even Paris Hilton would have done better (with her website ;o))...
Even Paris Hilton would have done better (with her website ;o))...
Monday, April 27, 2009
Informative picture
After a really long time, I got a decent forward which ought to be shared.
Here is a picture that contains numerous famous personalities with name and wiki links on mouse over.
Thanks JC.
Here is a picture that contains numerous famous personalities with name and wiki links on mouse over.
Thanks JC.
Sunday, April 05, 2009
Monday, February 09, 2009
Top Joker Quotes
Dark Knight: The more I think about this movie, the more I am liking it. I now begin to hunt for Heath Ledger's other movies as well. It is a pity that he is no more.
Some of the quotes of Joker I liked the most:
"I’m like a dog chasing cars. I wouldn’t know what to do if I caught one…I’d just do things."
"I believe… whatever doesn’t kill you simply makes you…stranger."
"You know, madness is a lot like gravity… sometimes all you need is a little push."
"Introduce a little anarchy, upset the established order, and everything becomes chaos, I’m an agent of chaos , and you know the thing about chaos? It’s fair."
"Don’t talk like one of them, you’re not! Even if you’d like to be. To them, you’re just a freak–like me. They need you right now. When they don’t…they’ll cast you out. Like a leper. See, their morals, their code: it’s a bad joke. They’re dropped at the first sign of trouble. They’re only as good as the world allows them to be. You’ll see, when the chips are down these civilized people will eat each other."
"I don’t want to kill you. What would I do without you? Go back to ripen off mob dealers, no, no, no, no, you…You complete…me." (Whenever I think of this dialogue, I somehow relate Rafael Nadal telling it to Roger Federer)
"You… you just couldn’t let me go could you? This is what happens when an unstoppable force meets an immovable object. You are truly incorruptable aren’t you. You won’t kill me because of some misplaced sense of self-rightousness. And I won’t kill you because…you’re just too much fun. I get the feeling that you and I are destined to do this forever."
Some of the quotes of Joker I liked the most:
"I’m like a dog chasing cars. I wouldn’t know what to do if I caught one…I’d just do things."
"I believe… whatever doesn’t kill you simply makes you…stranger."
"You know, madness is a lot like gravity… sometimes all you need is a little push."
"Introduce a little anarchy, upset the established order, and everything becomes chaos, I’m an agent of chaos , and you know the thing about chaos? It’s fair."
"Don’t talk like one of them, you’re not! Even if you’d like to be. To them, you’re just a freak–like me. They need you right now. When they don’t…they’ll cast you out. Like a leper. See, their morals, their code: it’s a bad joke. They’re dropped at the first sign of trouble. They’re only as good as the world allows them to be. You’ll see, when the chips are down these civilized people will eat each other."
"I don’t want to kill you. What would I do without you? Go back to ripen off mob dealers, no, no, no, no, you…You complete…me." (Whenever I think of this dialogue, I somehow relate Rafael Nadal telling it to Roger Federer)
"You… you just couldn’t let me go could you? This is what happens when an unstoppable force meets an immovable object. You are truly incorruptable aren’t you. You won’t kill me because of some misplaced sense of self-rightousness. And I won’t kill you because…you’re just too much fun. I get the feeling that you and I are destined to do this forever."
Saturday, January 10, 2009
Thursday, January 08, 2009
Naan Kadavul - Music Review
On hearing the songs of Naan Kadavul for the first time, I sensed the underlying theme in the songs is one of either theism or empathy with the blind and the weak. Let me go one by one:
Om Siva Om Om Siva Om Ruthira
Vijay Prakash
The tone of the song is as given in the title is one of Rudram. This tone is initially set by the blowing of conches and the sounds of Udukkai at the start, which is then brought down by the Om Chants in praise of the Rudra Shiva; the vocal then continues the praise of the Lord. A noticeable fact about the song is that it is entirely composed in Sanskrit (need to confirm this, but lyrics is nowhere in Tamil). When I was thinking the song will keep on increasing its tempo, it slows down to include another 30-40 seconds of slokas. In spite or may be because of this break in the tempo, the song, post the slokas, builds up the tempo quickly in tune with the tone of the song. When the first utterance of 'Aham Brahmaasmi' occurs, the tempo reaches its crescendo and it does make one remember the gems of Thiruvaasagam. I adore this song for the number of Omkaras and the Rudram in it .
Kannil Paarvai pona piragum
Shreya Goshal
After the ferocity in tone of the earlier song, this one is exactly opposite. With a mood of pathos, a nice melodious tune, yearning voice of Shreya Goshal and the simple, powerful lyrics will make one empathize with the plight of blind orphans. The melody in the song is not allowed to flow owing to the strong thumping background beats which probably are conveying the pathos tone of the song. There is one small note in the song which I guess is a direct copy-paste from one of Thiruvaasagam's songs. At some points in the song, I thought Shreya's voice was too high pitched and the words at those moments were not legible as they were in the other segments - which get exposed more so because Ilayaraja sings the same song in his own voice later in the album.
Maatha Un Kovilil Mani Deebam
Madhumitha
Probably the shortest song I have heard - this one runs only for 42 seconds. With hardly a couple of lines of lyrics, the song I must say is really well sung with the tone being slightly more upbeat compared to the earlier song. This song reminds me of the 'good' (good as in good, with absolutely no pun) songs sung in the electric trains of Chennai by blind people, this I say with utmost respect to every one involved in the song and to the blind singers. I say so mainly because of the clarity with which every word of the song is uttered by the playback singer.
Amma Un Pillai Naan
Sadhana Sargam
The tone of the song is one of reverence and self-pity backed up by excellent lyrics. Though the content of the song is such, the tune is more merrier than the earlier songs and hence the mood is light while the lyrics are not so. I wonder what the reason of this mismatch of mood and words could be. The main spoilsport of the song, though, is the playback singer. Sadhana's high pitched voice towards the end of one stanza is appreciable, but the pitch does not come down for the start of the next stanza and the lyrics are not legible in multiple places.
Oru Kaatril Alaiyum Siragu
Ilayaraja
No one can bring life to a song with his/her voice like the maestro. This one is with the same tune of the earlier song "Kannil Paarvai pona piragum", with 90% similar lyrics but this one is much better than the earlier one; every single word of the lyrics is legible unlike the one sung by Shreya Goshal. I somehow get to feel this one is kind of a eulogy to the character singing the earlier song.
Pitchaipaathiram Yenthi Vanthaen
Madhu Balakrishna
This is a purely devotional song praising the almighty and praying for complete surrender. The lyrics of this song are simple and conveying the meaning exquisitely. I must admit I mistook the singer, Madhu Balakrishna, to be someone who is related to the great Balamuralikrishna. It is not the sweetest voice around, but definitely reminds me of another great KJ Yesudoss. To me, this song is the best of the lot.
As a regular listener of Ilayaraja's Thiruvaasagam, I could not resist comparing the present one with His magnum opus and I was able to observe some common notes between the two. This could have been so just because of the similarity in the tone of the songs. Overall, I would say the music album of Naan Kadavul is definitely a must-have, must-listen one. I think the songs with female singers could have been better sung. Ilayaraja, I guess, is still unable to find a replacement for S Janaki. The album has only increased my expectations for the movie, Naan Kadavul.
Snippets of Naan Kadavul lyrics I liked:
Vidhiyenum yezhuthellaam vizhi neeril azhiyumo?
Pengalai silaiyile thozhuginra ulagame, yaen sol?
Kanaavil kooda inbam, kaanaathathu enna jenmam..
Oliyai pole oru thunai, vanthu sendra thunbam yaarkkum undo?
Engengum inbam irunthum, un pangu ponathengey?
Porulukku alainthidum porulattra vaazhkaiyum thurathudhey
Pitchaipaathiram Yenthi Vanthaen
Pindam enum elumbodu sathai narambuthiramum adangiya udambenum
Pitchaipaathiram Yenthi Vanthaen
Om Siva Om Om Siva Om Ruthira
Vijay Prakash
The tone of the song is as given in the title is one of Rudram. This tone is initially set by the blowing of conches and the sounds of Udukkai at the start, which is then brought down by the Om Chants in praise of the Rudra Shiva; the vocal then continues the praise of the Lord. A noticeable fact about the song is that it is entirely composed in Sanskrit (need to confirm this, but lyrics is nowhere in Tamil). When I was thinking the song will keep on increasing its tempo, it slows down to include another 30-40 seconds of slokas. In spite or may be because of this break in the tempo, the song, post the slokas, builds up the tempo quickly in tune with the tone of the song. When the first utterance of 'Aham Brahmaasmi' occurs, the tempo reaches its crescendo and it does make one remember the gems of Thiruvaasagam. I adore this song for the number of Omkaras and the Rudram in it .
Kannil Paarvai pona piragum
Shreya Goshal
After the ferocity in tone of the earlier song, this one is exactly opposite. With a mood of pathos, a nice melodious tune, yearning voice of Shreya Goshal and the simple, powerful lyrics will make one empathize with the plight of blind orphans. The melody in the song is not allowed to flow owing to the strong thumping background beats which probably are conveying the pathos tone of the song. There is one small note in the song which I guess is a direct copy-paste from one of Thiruvaasagam's songs. At some points in the song, I thought Shreya's voice was too high pitched and the words at those moments were not legible as they were in the other segments - which get exposed more so because Ilayaraja sings the same song in his own voice later in the album.
Maatha Un Kovilil Mani Deebam
Madhumitha
Probably the shortest song I have heard - this one runs only for 42 seconds. With hardly a couple of lines of lyrics, the song I must say is really well sung with the tone being slightly more upbeat compared to the earlier song. This song reminds me of the 'good' (good as in good, with absolutely no pun) songs sung in the electric trains of Chennai by blind people, this I say with utmost respect to every one involved in the song and to the blind singers. I say so mainly because of the clarity with which every word of the song is uttered by the playback singer.
Amma Un Pillai Naan
Sadhana Sargam
The tone of the song is one of reverence and self-pity backed up by excellent lyrics. Though the content of the song is such, the tune is more merrier than the earlier songs and hence the mood is light while the lyrics are not so. I wonder what the reason of this mismatch of mood and words could be. The main spoilsport of the song, though, is the playback singer. Sadhana's high pitched voice towards the end of one stanza is appreciable, but the pitch does not come down for the start of the next stanza and the lyrics are not legible in multiple places.
Oru Kaatril Alaiyum Siragu
Ilayaraja
No one can bring life to a song with his/her voice like the maestro. This one is with the same tune of the earlier song "Kannil Paarvai pona piragum", with 90% similar lyrics but this one is much better than the earlier one; every single word of the lyrics is legible unlike the one sung by Shreya Goshal. I somehow get to feel this one is kind of a eulogy to the character singing the earlier song.
Pitchaipaathiram Yenthi Vanthaen
Madhu Balakrishna
This is a purely devotional song praising the almighty and praying for complete surrender. The lyrics of this song are simple and conveying the meaning exquisitely. I must admit I mistook the singer, Madhu Balakrishna, to be someone who is related to the great Balamuralikrishna. It is not the sweetest voice around, but definitely reminds me of another great KJ Yesudoss. To me, this song is the best of the lot.
As a regular listener of Ilayaraja's Thiruvaasagam, I could not resist comparing the present one with His magnum opus and I was able to observe some common notes between the two. This could have been so just because of the similarity in the tone of the songs. Overall, I would say the music album of Naan Kadavul is definitely a must-have, must-listen one. I think the songs with female singers could have been better sung. Ilayaraja, I guess, is still unable to find a replacement for S Janaki. The album has only increased my expectations for the movie, Naan Kadavul.
Snippets of Naan Kadavul lyrics I liked:
Vidhiyenum yezhuthellaam vizhi neeril azhiyumo?
Pengalai silaiyile thozhuginra ulagame, yaen sol?
Kanaavil kooda inbam, kaanaathathu enna jenmam..
Oliyai pole oru thunai, vanthu sendra thunbam yaarkkum undo?
Engengum inbam irunthum, un pangu ponathengey?
Porulukku alainthidum porulattra vaazhkaiyum thurathudhey
Pitchaipaathiram Yenthi Vanthaen
Pindam enum elumbodu sathai narambuthiramum adangiya udambenum
Pitchaipaathiram Yenthi Vanthaen
Thursday, December 25, 2008
Ghajini - A Review
Here's a review on Ghajini, please proceed, none of the plot will be revealed, whatsoever.
With Aamir Khan in the lead and the celebrated eight packs and the build-up promos with Khan v/s Khan duels, this Ghajini had accrued considerable amount of hype. The hype reaching its peak with the producer of the Tamil version suing the producer of the Hindi version for copyright violation. Unlike many other movies with such inflated hype, I must admit this movie fails to disappoint.
The present Ghajini till its intermission has replicated the Tamil version in its truest form and sense; in whatever little places the movie has differed from its original it has been for the better. Most of the memorable scenes from the original are retained, thankfully, without an iota of attempt to modify. Full marks to the makers for that. This episode of the movie till the intermission is easily the liveliest stretch. I had opined in my earlier review that I would not write negative comments about Asin; but this time around I am unable to find a single flaw in her performance. I liked her and her role in this movie so much it can be an antidote for her role in Dasavatharam. My non-tamil friends with whom I watched this movie gave some comments on Asin of which I am repeating two. One, after her introductory song, "She is a chick looking girl"; Two, after her first scene with Aamir Khan, "She is expressive, the chick can act". All through, if there was one clap-winner in the movie, it was Asin. Deservedly so.
Everyone, including the director A R Murugadoss, said the climax of the Tamil Ghajini actually a no-climax and one which spoiled the entire movie. This time around the second half and the climax of the movie has been changed drastically to eliminate the feeling of bungling which happened earlier. I must say the director has succeeded in making the audience not feeling let down after an impressive first half. Most movies would have ended after the 'climax fight'; here the movie carries on to show further things which to me was the icing on the cake and to my friends it appeared like a drag. How much of these praises should go to Aamir Khan and how much to A R Murugadoss are left for arguments.
There is no Ghajini without Aamir Khan. Aamir would have been on screen for at least 95% of the movie and he has carried it so well that only superstars can do. Macho body, impressive acting, charming face, style - a treat to watch. If Tamil cinema has Kamal Hasan, Hindi has Aamir Khan. He has put in efforts and the results are there on the screen. It surely is one of his very different and noteworthy performances, but I still prefer Aamir Khan in a Lagaan or a Dil Chahta Hai over Ghajini. But one thing, just like Kamal Hasan, I can see Aamir Khan ageing - a non-missable fact from the close-up shots of the stylish CEO Sanjay Singhania.
With so much positives over the original version, I feel there is one area where the Tamil Ghajini scores over its Hindi counterpart: songs. I feel the Tamil songs (and tunes) composed by Harris Jeyaraj were much superior to the ones in the latest release. This is not to say the songs of Hindi Ghajini are bad, but they are comparatively.
Does this movie have only positives? Obviously not, there were lots of gaps in logic which only an Indian mind can digest. I am not going to spoil the fun by pointing out each of those. But errrr, some of those: an empty Mumbai-Goa second class compartment; 3 BMWs escorting the BMW in which a travels, always; a villain who kills multiple dons on surmise and who does not kill the actual threat but 'cleans up' his memories. This list is definitely indicative. Though needed for the story, the violence in the movie is on the higher side and is literally gory. I wonder why Jiah khan got the role which she played in the movie, her apathetic acting was showcased in the presence of Aamir and Asin. Reyaas Khan as Inspector was funny, a better choice could have been made there as well.
Whenever a movie is a re-make of another, comparison with the original is inevitable and this Hindi Ghajini scores over the Tamil version in most departments: Aamir better than Surya, Asin (Hindi) better than Asin (Tamil), climax (Hindi) much better than Climax (Tamil). There should not be any comparison of this movie with 'Memento' (which according to me is the best screenplay in a movie) as the story line is thoroughly different, the common thread is just the ...errr....ya..'short term memory loss'.
Overall, this is a good movie - a worthy watch in a theatre inspite of its logical gaps. Treat this as a superhero movie interspersed with cherishable episodes of romance, music and 'memories'.
With Aamir Khan in the lead and the celebrated eight packs and the build-up promos with Khan v/s Khan duels, this Ghajini had accrued considerable amount of hype. The hype reaching its peak with the producer of the Tamil version suing the producer of the Hindi version for copyright violation. Unlike many other movies with such inflated hype, I must admit this movie fails to disappoint.
The present Ghajini till its intermission has replicated the Tamil version in its truest form and sense; in whatever little places the movie has differed from its original it has been for the better. Most of the memorable scenes from the original are retained, thankfully, without an iota of attempt to modify. Full marks to the makers for that. This episode of the movie till the intermission is easily the liveliest stretch. I had opined in my earlier review that I would not write negative comments about Asin; but this time around I am unable to find a single flaw in her performance. I liked her and her role in this movie so much it can be an antidote for her role in Dasavatharam. My non-tamil friends with whom I watched this movie gave some comments on Asin of which I am repeating two. One, after her introductory song, "She is a chick looking girl"; Two, after her first scene with Aamir Khan, "She is expressive, the chick can act". All through, if there was one clap-winner in the movie, it was Asin. Deservedly so.
Everyone, including the director A R Murugadoss, said the climax of the Tamil Ghajini actually a no-climax and one which spoiled the entire movie. This time around the second half and the climax of the movie has been changed drastically to eliminate the feeling of bungling which happened earlier. I must say the director has succeeded in making the audience not feeling let down after an impressive first half. Most movies would have ended after the 'climax fight'; here the movie carries on to show further things which to me was the icing on the cake and to my friends it appeared like a drag. How much of these praises should go to Aamir Khan and how much to A R Murugadoss are left for arguments.
There is no Ghajini without Aamir Khan. Aamir would have been on screen for at least 95% of the movie and he has carried it so well that only superstars can do. Macho body, impressive acting, charming face, style - a treat to watch. If Tamil cinema has Kamal Hasan, Hindi has Aamir Khan. He has put in efforts and the results are there on the screen. It surely is one of his very different and noteworthy performances, but I still prefer Aamir Khan in a Lagaan or a Dil Chahta Hai over Ghajini. But one thing, just like Kamal Hasan, I can see Aamir Khan ageing - a non-missable fact from the close-up shots of the stylish CEO Sanjay Singhania.
With so much positives over the original version, I feel there is one area where the Tamil Ghajini scores over its Hindi counterpart: songs. I feel the Tamil songs (and tunes) composed by Harris Jeyaraj were much superior to the ones in the latest release. This is not to say the songs of Hindi Ghajini are bad, but they are comparatively.
Does this movie have only positives? Obviously not, there were lots of gaps in logic which only an Indian mind can digest. I am not going to spoil the fun by pointing out each of those. But errrr, some of those: an empty Mumbai-Goa second class compartment; 3 BMWs escorting the BMW in which a travels, always; a villain who kills multiple dons on surmise and who does not kill the actual threat but 'cleans up' his memories. This list is definitely indicative. Though needed for the story, the violence in the movie is on the higher side and is literally gory. I wonder why Jiah khan got the role which she played in the movie, her apathetic acting was showcased in the presence of Aamir and Asin. Reyaas Khan as Inspector was funny, a better choice could have been made there as well.
Whenever a movie is a re-make of another, comparison with the original is inevitable and this Hindi Ghajini scores over the Tamil version in most departments: Aamir better than Surya, Asin (Hindi) better than Asin (Tamil), climax (Hindi) much better than Climax (Tamil). There should not be any comparison of this movie with 'Memento' (which according to me is the best screenplay in a movie) as the story line is thoroughly different, the common thread is just the ...errr....ya..'short term memory loss'.
Overall, this is a good movie - a worthy watch in a theatre inspite of its logical gaps. Treat this as a superhero movie interspersed with cherishable episodes of romance, music and 'memories'.
Tuesday, December 16, 2008
Career Destruction
I do not remember knowing any better career decimating crime than this: Anti-kidnapping consultant kidnapped in Mexico. I wonder what the kidnapped guy does once he is freed; I suggest him to call himself a victim of credit crunch – no one questions and if he is big (uff..if he is more than 6 feet tall), probably, some Governments may even give him nice compensation package.
Elsewhere, a president says, “I do not know what the man told, but I could see his sole (read: soul?)”. I think lots of things could have been different had he seen people's soul a lot earlier.
Elsewhere, a president says, “I do not know what the man told, but I could see his sole (read: soul?)”. I think lots of things could have been different had he seen people's soul a lot earlier.
Comedy of accents
Tamil news channels often come up immense creativity which will make anyone laugh (like this one); the latest one has got to do with Monty Panesar being called Monty Pannee Sir
Monday, December 15, 2008
Booking Profits
In the last 5 days the Indian markets have gone up by 5-6%; all those who entered at sub 2700 levels would be better off (IMHO) booking their profits now. If you are a small retail investor with exposure to multiple stocks, booking profits would incur substantial transaction costs; to avoid the same, the best way out is to enter into suitable number of long put option contracts. The only risk is that the number of option contracts may not exactly match the underlying stock holding. But this strategy will help at least to book profits for major portion of your holdings. I prefer long put than shorting the futures as the downside risk (in case the markets go up from current levels) of long put is limited to the premium paid, while the downside risk of futures is unlimited.
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